{"id":136,"date":"2008-07-23T11:18:14","date_gmt":"2008-07-23T09:18:14","guid":{"rendered":"http:\/\/isabout.wordpress.com\/?p=136"},"modified":"2020-01-02T20:25:32","modified_gmt":"2020-01-02T20:25:32","slug":"zombie-cinema-rules-critique","status":"publish","type":"post","link":"https:\/\/www.arkenstonepublishing.net\/isabout\/2008\/07\/23\/zombie-cinema-rules-critique\/","title":{"rendered":"Zombie Cinema Rules Critique"},"content":{"rendered":"

Now that we have the Solar System out of the way, time to focus on my own game, Zombie Cinema<\/em>. It’s a pretty routine Forge-style narrativist-formalist-dramatist (yes, that is a joke; yes, that means something) zombie romp in many ways, but there are some innovations, especially in the area of social context. Luckily the game design is completely done and honed, thanks to the fact that the game was released a year ago in Finnish. I know exactly what’s going on with this one, so it’s all a matter of some minor editing and stuff.<\/p>\n

The most important details still to be finangled with the zombie game are the rules, really. My basic notion here is best condensed into a couple of points:<\/p>\n

    \n
  1. The game is a boardgame-rpg hybrid in the sense that it utilizes the social context and mechanical tools of boardgaming to represent the roleplaying game (or “story game” as I’m apparently calling it in English). Instead of character sheets, players manipulate a game board and cards.<\/li>\n
  2. The game is pretty simple, rules-wise: Zombie Cinema, as the name implies, is supposed to allow a group to play through a story with the extent and content of a zombie movie. This is a pretty narrow agenda, so I simply don’t need a lot of rules. The game really just has a story arc mechanic and conflict resolution rules.<\/li>\n
  3. Boardgames are supposed to be playable without rules expertise – you just open the box, read the rules once through and go. The rules are objective. They don’t concern themselves with guidance, only with the objective facts of the rules.<\/li>\n<\/ol>\n

    All this considered, I have this crazy goal of trying to fit the game’s rules on one tri-fold sheet printed on two sides. It’s not a lot of space, so every sentence counts. I did write up and lay out a rough draft of this in the spring and even had Ben Lehman look it over, but I’ll still want to sit down and think hard about this before the week’s end to see if I could improve this in any way without making it any longer.<\/p>\n

    This would be much easier if I was absolutely constricted to this particular lenght of the rules, but in principle there is nothing stopping me from commissioning two sheets for the rules; it just doubles the printing costs for the rules, that’s all. So if I were to put in a second sheet, I’d need to actually have a reason and get some use out of it. So far I’ve considered writing up an extensive play example for the second sheet, the theory being that these rules alone might not allow a given group to set up the game independently without ever seeing how the game is played. As for that, you be the judge:<\/p>\n

    \n

    Zombie Cinema<\/h2>\n

    3-6 players aged 12+, game lasts 30 minutes per player.<\/em><\/strong>
    \n Nobody knew when it started, or why. Perhaps the lonely death of a spinster was one too much for angels to bear, or a chemical leak in the groundwater had unexpected consequences. Only one thing is certain: now the dead walk.<\/em><\/p>\n

    Game Components<\/h3>\n\n\n\n\n\n\n\n\n\n
    1 game board<\/td>\n<\/tr>\n
    1 zombie pawn<\/td>\n<\/tr>\n
    1 round marker<\/td>\n<\/tr>\n
    6 character pawns (in colors)<\/td>\n<\/tr>\n
    6 dice (in colors)<\/td>\n<\/tr>\n
    27 Cinema Cards (in three colors)<\/td>\n<\/tr>\n
    1 rules sheet<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    Zombie Cinema<\/em> is a story game in which the participants create a story of normal people harassed by the restless dead. Each player invents a character whose thoughts and deeds he will portray for the others. Players will both advocate for their characters\u2019 interests and collaborate on the common story. Everybody wins together by telling a good story.<\/p>\n

    The seminal work of the zombie movie genre, George Romero\u2019s The Night of the Living Dead<\/em>, will be the template for our unique story here: a group of people from different walks of life end up hunted by the endless threat of the zombie menace. The terror, despair and constant fight for survival push us into immediate decisions about life, death, and what is important.<\/p>\n

    Goals of play & Advocating<\/h3>\n

    Players of a story game do not compete for a win. Their goal is to create an enjoyable story together. However, the fun in the game is that players do not need to work for concensus to make their story. Instead, each player has a character he advocates in the story: the player describes his character\u2019s thoughts and actions for the others and lets the character strive for his own well-being in the story.<\/p>\n

    Advocating<\/strong> means that the player makes the intents of his character clearly known and lets the character struggle for them, but the player himself will stay impartial and cooperative towards the other players. Choices made by the character are always partisan to who and what he is, while the player acts to make the game fun for all.<\/p>\n

    Making the Call<\/h3>\n

    Play of Zombie Cinema<\/em> is a give and take between players who tell a story together. The rules assign ultimate responsibility for each individual decision to a single player \u2014 this is called making the call<\/strong>.<\/p>\n

    When a player is allowed to make the call at a point in the game, the other players are free to offer suggestions and discuss the situation. The call is about having responsibility to choose, not necessarily about being the one who thinks up the ideas.<\/p>\n

    The only exception is that if all the other players balk at the call, they may repeal<\/strong> it unanimously. When this happens the group should discuss why the call was not acceptable \u2014 repealing the call is a clear sign of crossed expectations that need to be negotiated before play may proceed.<\/p>\n

    Sometimes the rules assign a player the temporary powers of the narrator<\/strong>. The narrator may always make the call on everything happening in the story until his power lapses.<\/p>\n

    Beginning the game<\/h3>\n

    Set up the game board as follows: The zombie pawn goes on the lowest space. Character pawns (one for each player) go all in the starting space. Each player takes a die in a color corresponding with his pawn. Before the game begins, the players agree upon the milieu<\/strong> of the story. This choice determines where and when the initial scenes take place. A good default choice is \u201cour home town\u201d, but experienced players might wish to set the game in a different time or place.<\/p>\n

    Next each player creates his character<\/strong> for the game by drawing a set of Cinema Cards for inspiration. Taking one of each color is traditional, but the players are free to experiment; whatever helps you describe an interesting character to the rest of the group.<\/p>\n

    A couple of sentences is enough to define the milieu and the characters. An initial situation<\/strong> might help play begin: players might agree that the characters just happen to be at the shopping mall when the zombie epidemic breaks out, for example.<\/p>\n

    The game is started by a player who has played the game before and wants to start, or the one who saw a zombie movie last if there are ties. Give the round marker to the starting player.<\/p>\n

    Turn order & Order of play<\/h3>\n

    Each player goes through the following steps during his turn:<\/p>\n

      \n
    1. Framing a scene<\/li>\n
    2. Free narration<\/li>\n
    3. Conflict resolution<\/li>\n
    4. Cutting the scene<\/li>\n<\/ol>\n

      Play then passes clock-wise around the table. This continues until the end of the game. The player taking his turn is called the active player<\/strong>.<\/p>\n

      Normally play during a turn is free for all and everybody can participate at their own convenience. When two players are trying to both act before the other or are waiting for the other to act before committing to a play, the order of play<\/strong> is invoked by the active player: the entangled players act in clockwise order counting from the active player.<\/p>\n

      Framing a scene<\/h3>\n

      Each turn begins by framing a scene<\/strong> that develops the story. The active player makes the call on the time, location and participants of the scene, describing the scene like a shot in a movie. A scene might include one or more player characters, but it is not mandatory.<\/p>\n

      A frame may put a character in an awful situation, but only with the permission of the player. Having the story pick up immediately where the last scene ended is a valid play. A player may pass his turn if he does not have a good idea for a scene \u2014 don\u2019t hesitate, just pass.<\/p>\n

      Free narration<\/h3>\n

      All players may freely narrate activity in the scene. Their main task is to describe the thoughts and actions of their character. Players may suggest things freely to each other and narrate the action of secondary characters in the story, but the active player makes the call on anything but player characters; players each make the call on the thoughts and actions of their own characters.<\/p>\n

      Player characters may not be permanently removed from the story by free narration. All players have the right to have their character enter a scene after it is framed. The player himself makes the call on whether he should. The active player calls the cut when the scene is done: generally, a few minutes.<\/p>\n

      Conflict resolution<\/h3>\n

      When characters in free narration have a conflict of interest<\/strong> between them, one of the participating players makes the call by hitting their die on the table. When the conflict is called, the participating players have to either back down<\/strong> on the issue or accept<\/strong> by hitting their dice on the table. If the conflict is not settled by backing down, proceed.<\/p>\n

      All the other players now have an opportunity to either pass<\/strong>, ally<\/strong> or support<\/strong> with their dice. To pass, hide your die; to ally, place your die next to the die you\u2019re allying with; to support, place your die on top of the die you\u2019re supporting. Thus the participating dice form opposing lines.<\/p>\n

      You may only pass if your character does not get involved in the conflict. You may only ally if your character helps out the character of the player you ally with. You may always support anybody in the conflict regardless of what your character does.<\/p>\n

      After all players have passed, allied, or supported, the conflict participants roll their own dice and any dice that supported them, and the allies roll their own dice and any dice that supported them. The highest individual die of this roll is called the high die<\/strong>.<\/p>\n

      The player who rolled the high die narrates how the conflict was favorably resolved for his side. The narrator makes the call for everything in the scene, including the actions of player characters in resolving the conflict.<\/p>\n

      Any players who were on the losing side of the conflict have their character pawn moved one space down towards the zombie pawn. Any players on the winning side have their pawns moved one space up. Players who passed or supported do not move their pawns.<\/p>\n

      If there is a tie between dice on the winning side, have the tied players co-narrate and the active player make the call on any disagreements. If there is a tie between the sides of the conflict, the zombie pawn moves up one space and the active player becomes the narrator, describing how the zombies interrupt the conflict, leaving it unresolved. In this case the active player takes the round marker as well.<\/strong><\/p>\n

      Cutting the scene<\/h3>\n

      If there is no conflict in the scene, the active player makes the call on cutting the scene when the interesting subject matter has been explored. If there was a conflict in the scene, the narrator cuts the scene after the conflict is described.<\/p>\n

      Cutting the scene ends the turn. Play continues with the player to the left of the last active player.<\/p>\n

      Sacrifice<\/h3>\n

      A player may decide to sacrifice his character pawn\u2019s position on the board in favour of another pawn: he moves his own pawn towards the zombie pawn and moves another pawn away from it a corresponding number of steps.<\/p>\n

      The sacrificing player immediately becomes the narrator and describes how his character saves the other character. If the sacrifice happens between scenes, the player may frame a new scene, narrate the sacrifice and cut.<\/p>\n

      Sacrifice interrupts everything else, including death & escape: thus a player may sacrifice to save a character just about to die, for example. Characters may escape as the result of a sacrifice. Play continues normally afterwards from where it was interrupted.<\/p>\n

      Zombie Pawn<\/h3>\n

      The position of the zombie pawn indicates the zombies’ role in the story. Each space on the board describes the most severe zombie action that may currently occur.<\/p>\n

      Any player may make the call in free narration to have the zombies act in any manner allowed by their board position. If two players disagree, the action higher on the board takes precedence, with the active player making the call for equally severe narrations. If the zombie pawn is too low on the board for a narrated zombie event, any single player may veto the call by appealing to the board.<\/p>\n

      The zombie pawn also eats character pawns. When a character pawn is on the same space with a zombie pawn, the character pawn is immediately eaten and set aside, which causes character death in the story.<\/p>\n

      The zombie pawn moves up one space on the board during tied conflicts and immediately before the turn of any player holding the round marker.<\/p>\n

      Death & Escape<\/h3>\n

      No player character can ever be killed or permanently removed from the story by free narration or conflict. This only happens if the character’s pawn is eaten<\/strong> or escapes<\/strong>.<\/p>\n

      When the zombie pawn eats a character pawn, that character dies. The character may only appear again as an inhuman zombie. If a pawn moves out through the top of the board, that character escapes. The character might not be happy, but he survives the story alive.<\/p>\n

      The player of a character who dies or escapes immediately becomes the narrator, describing to the others how his character is removed from the story. Then he cuts the scene. If no scene is ongoing when the death or escape occurs, the player frames a scene, immediately narrates it and makes the cut. Play continues normally afterwards from where it was interrupted.<\/p>\n

      The game ends when all characters have either died or escaped from the story. The player of the last live character narrates the final scene.<\/p>\n

      Characterless players<\/h3>\n

      When a player\u2019s character escapes or dies, he continues in the game normally, except that he does not advocate for a specific character. Instead such a player may ally into conflicts by temporarily advocating for a secondary character in the scene, and he may support normally.<\/p>\n

      When a characterless player is the active player, characters may call for a conflict against the zombies. The active player then advocates for the zombies and rolls for them as if they were a character in conflict. Winning or losing does not affect the position of the zombie pawn on the board, it just allows characters to advance without turning on one another.<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

      Now that we have the Solar System out of the way, time to focus on my own game, Zombie Cinema. It’s a pretty routine Forge-style narrativist-formalist-dramatist (yes, that is a joke; yes, that means something) zombie romp in many ways, but there are some innovations, especially in the area of social context. Luckily the game […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[21,32,9,29],"tags":[],"class_list":["post-136","post","type-post","status-publish","format-standard","hentry","category-game-design","category-volume1","category-roleplaying","category-zombie-cinema"],"featured_image_src":null,"author_info":{"display_name":"Eero Tuovinen","author_link":"https:\/\/www.arkenstonepublishing.net\/isabout\/author\/eerotuovinen\/"},"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.arkenstonepublishing.net\/isabout\/wp-json\/wp\/v2\/posts\/136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arkenstonepublishing.net\/isabout\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arkenstonepublishing.net\/isabout\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arkenstonepublishing.net\/isabout\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arkenstonepublishing.net\/isabout\/wp-json\/wp\/v2\/comments?post=136"}],"version-history":[{"count":0,"href":"https:\/\/www.arkenstonepublishing.net\/isabout\/wp-json\/wp\/v2\/posts\/136\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.arkenstonepublishing.net\/isabout\/wp-json\/wp\/v2\/media?parent=136"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arkenstonepublishing.net\/isabout\/wp-json\/wp\/v2\/categories?post=136"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arkenstonepublishing.net\/isabout\/wp-json\/wp\/v2\/tags?post=136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}